کتابنامه

الف. منابع فارسی

- Atwood, M. (2011). The Robber Bride. 1st trade ed. in the U.S.A. New York: Nan A. Talese/Doubleday.

-Deery, J. (1997). Science for Feminists: Margaret Atwood’s Body of Knowledge. Twentieth Century Literature, 43(4), 470–486. https://doi.org/10.2307/441746

- Jones, A. (2010), The Feminism and Visual Culture Reader.

London ‏‫; New york ‏‫: Routledge.

 -Genette, G. (1980). Narrative Discourse. An essay in method. trans. Jane E. Lewin,  Cornell University Press, Ithaca NewYork.

- Perrakis, P. S. (1997). Atwood's" The Robber Bride": The Vampire as Intersubjective Catalyst. Mosaic: A Journal for the Interdisciplinary Study of Literature, 151-168.

- Potts, D. L. (1999). "The Old Maps Are Dissolving": Intertextuality and Identity in Atwood's The Robber Bride. Tulsa Studies in Women's Literature, 18(2), 281-298.

- Lakoff, R. & Lakoff, R. T. (2004). Language and Woman's

Place: Text and Commentaries (Vol. 3). Oxford University Press, USA.

- Messer-Davidow, E. (2002). Disciplining Feminism: From Social Activism to Academic Discourse. Durham, NC: Duke University Press.

- Sage, L. & Smith, L. (2009), “Feminist criticism”. A Dictionary of Modern critical terms. Ed. By Roger Fowler. London: Routledge.

- Sands, R. & Nuccio, K. (1992). "Postmodern Feminist Theory and Social Work: A Deconstruction". Social Work. 40(6): 841-843. doi:10.1093/sw/40.6.831.

- Tolan, F. (2007). “Sucking the blood out of second wave feminism:

Postfeminist vampirism in Margaret Atwood's The Robber Bride.” Gothic studies, 9(2), 45-57.

-Tong, R. and Botts, T. F. (2018). Feminist thought: A more comprehensive introduction. Routledge.

- Wyatt, J. (1998). I Want To Be You: Envy, the Lacanian Double,

And Feminist Community in Margaret Atwood's The Robber Bride. Tulsa Studies in Women's Literature, 17(1), 37-64.